"Only as high as I reach can I grow, only as far as I seek can I go, only as deep as I look can I see, only as much as I dream can I be.”
–Karen Ravn
How to Write Great Blog Content
How to Craft a Blog Post
Make Your Writing Scannable
20 Types of Blog Posts
Writing Good Content
The Writers of the Future Contest will start its fourth quarter on July 1st and will run to Sept. 30th, 2009. This is one of the best contests for new writers to participate in. The winner of the quarter gets $1,000; second place gets $750; and third gets $500.
For more information on the contest and what constitutes a new writer check out:
L. Ron Hubbard's Writer of the Future Contest
[ Contest Rules ]An item that can be used to help understand characters is the Meyers-Briggs Personality Type indicators. What this does is define the way a person or character interacts with the world around them by determining how they interact with it. The four areas judge a persons preference in communicating with others ( Extrovert or Introvert ), taking in information ( Sensing or Intuitive ), making decisions ( Thinking or Feeling ), and ( Judging or Percieving ).
When creating a character I don't often check to see what the outcome of their combined traits represent, I just consider each trait individually.
What each type means:
Extrovert - enjoys talking and social situations
Introvert - quiet and reflective
Sensing - tangible or concrete information ( facts )
Intuitive - theoretical or abstract information
Thinking - detached reasoning
Feeling - empathic reasoning
Judging - planned actions
Percieving - non-planned actions
http://www.myersbriggs.org/ : learn more about Myers-Briggs
http://en.wikipedia.org/wiki/Myers-Brigg
http://www.typelogic.com/ : quick link to the sixteen types
http://www.personalitypathways.com/type_
Looking for:
(a) The story should be about a wizard, witch, sorcerer, sorceress, of some kind (basically, any sort of user of magic).
(b) The fact that the story has wizards in it should be vital to the story, i.e., magic should be an important factor in the resolution of the plot.
(c) The wizards should be literal, in that they do actual magic, not like a pinball wizard or something like that.
(d) I’m interested in all types of wizard tales, but am especially interested in seeing some stories that explore the idea of wizardry from a non-traditional viewpoint–i.e., something based on the Chilean Kalku or on the supernatural practices of other cultures.
(e) The story may be set in a secondary world, the real world, the present, or in a historical time period…let your imagination run wild.
Reading Period: July 1, 2009 – March 31, 2010.
Response Time: I will be making all of my final decisions in April and May 2010, so if you submit early, your story might be held for consideration for a long time. Most rejections will be sent out quickly, however, so I’ll only hold onto a story if I’m seriously considering it, and if that happens, I’ll notify you.
Payment: 5 cents per word ($250 max), plus a pro-rata share of 50% of the anthology’s earnings and 1 contributor copy.
[ Submission Guidelines ]
This is a pretty good book on the details necessary to prepare a Platform. Whether it's creating a blog, a website, or joining groups to build a following Get Known Before the Book Deal offers advice on how to select a target audience, create a message that is personalized to each aspiring author, and how to develop a niche in the Platform you decide to create.
One of the quotes that I liked in the book is:
"You are in three businesses: the book business, the marketing business, and the people business."
--Michael Larsen, agent and author
I just purchased this book a few days ago, but I am impressed by what the author has to offer in the way of advice. The only gripe I have about the book is that the binding has already broken on mine ( this happened in less than 48 hrs. ). So you may want to consider buying one of the used ones you can get at Barnes and Nobles or on Amazon.
Other than that the author offers different ways you may not have considered in promoting your book. Worth a look if you need to figure out ways to promote yourself and can use a few more ideas.
The author does a good job of using selected poems to highlight the areas that he discusses in each section, while also discussing his own experience at poetry writing and what went into the thought process as he created some of his own work.
The sections focus on the individual parts of writing a poem: Voice, Line, Stanza, Title, Meter, Rhyme.
And includes sections on different forms of poetry: Narrative, Lyric, Dramatic, Free Verse, Sonnet, Form, the Sequence, and the Total Poem ( which incorporates all the aspects of poetry ).
Whenever I want to craft a serious poem, one that has more than just my emotions recorded on the page, but elevated in a way to create something more--this is the book on poetry that I use.
Where do you end up? How is the blog in question similar or different from yours?
Gene Wolfe (b. 1931)
7 High-Brow, 23 Violent, 7 Experimental and -9 Cynical!

Congratulations! You are High-Brow, Violent, Experimental and Romantic! These concepts are defined below.
US author Gene Wolfe is a very typical example of the kind of writer who is more appreciated by critics and, above all, other writers, than by the wider public. Science fiction writer Michael Swanwick has, for example, dubbed Gene Wolfe the greatest writer in the English language alive today. However, Wolfe's novel in four parts, The Book of the New Sun (1980-83), is widely known and considered a classic within both fantasy and science fiction (the book is generally considered fantasy although it is actually set in a distant future, where some technology may seem like magic to the novel's characters).
Wolfe, a veteran of the Korean war, is un-afraid of describing the fear and violence caused by warfare and the protagonist of his most well-known piece of fiction is a torturer, who at one time openly defends the importance of his work.
Wolfe is well-known for his stylistic excellence, often using first person narration in a masterful way. His narrators are often unreliable, for different reasons, sometimes leaving it up to the reader to read between the lines and figure out what's really going on.
Being a "literary" author, one of those few writers whose books it's worth the time and effort of reading more than once, does not stop Wolfe from being a great storyteller who is quite able to create all the magic and page-turning suspence of a typical best-selling writer. Much of this might stem from Wolfe's empathy with his characters and his almost religious commitment to his worlds. Several critics have pointed out the influence of Wolfe's strong Roman Catholic faith to his fiction.
No fantasy fan should go through life without having at least tried to read Wolfe. There are few writers who manage to put imagination back into the word fantasy like he does.
You are also a lot like Mary Gentle.
If you want something more gentle, try Tove Jansson.
If you'd like a challenge, try your exact opposite, Robert Jordan.
Your score
This is how to interpret your score: Your attitudes have been measured on four different scales, called 1) High-Brow vs. Low-Brow, 2) Violent vs. Peaceful, 3) Experimental vs. Traditional and 4) Cynical vs. Romantic. Imagine that when you were born, you were in a state of innocence, a tabula rasa who would have scored zero on each scale. Since then, a number of circumstances (including genetical, cultural and environmental factors) have pushed you towards either end of these scales. If you're at 45 or -45 you would be almost entirely cynical, low-brow or whatever. The closer to zero you are, the less extreme your attitude. However, you should always be more of either (eg more romantic than cynical). Please note that even though High-Brow, Violent, Experimental and Cynical have positive numbers (1 through 45) and their opposites negative numbers (-1 through -45), this doesn't mean that either quality is better. All attitudes have their positive and negative sides, as explained below.
High-Brow vs. Low-Brow
You received 7 points, making you more High-Brow than Low-Brow. Being high-browed in this context refers to being more fascinated with the sort of art that critics and scholars tend to favour, rather than the best-selling kind. At their best, high-brows are cultured, able to appreciate the finer nuances of literature and not content with simplifications. At their worst they are, well, snobs.
Violent vs. Peaceful
You received 23 points, making you more Violent than Peaceful. Please note that violent in this context does not mean that you, personally, are prone to violence. This scale is a measurement of a) if you are tolerant to violence in fiction and b) whether you see violence as a means that can be used to achieve a good end. If you are, and you do, then you are violent as defined here. At their best, violent people are the heroes who don't hesitate to stop the villain threatening innocents by means of a good kick. At their worst, they are the villains themselves.
Experimental vs. Traditional
You received 7 points, making you more Experimental than Traditional. Your position on this scale indicates if you're more likely to seek out the new and unexpected or if you are more comfortable with the familiar, especially in regards to culture. Note that traditional as defined here does not equal conservative, in the political sense. At their best, experimental people are the ones who show humanity the way forward. At their worst, they provoke for the sake of provocation only.
Cynical vs. Romantic
You received -9 points, making you more Romantic than Cynical. Your position on this scale indicates if you are more likely to be wary, suspicious and skeptical to people around you and the world at large, or if you are more likely to believe in grand schemes, happy endings and the basic goodness of humankind. It is by far the most vaguely defined scale, which is why you'll find the sentence "you are also a lot like x" above. If you feel that your position on this scale is wrong, then you are probably more like author x. At their best, romantic people are optimistic, willing to work for a good cause and an inspiration to their peers. At their worst, they are easily fooled and too easily lead.
www.helloquizzy.com/tests/which-fantasy-w
I've had the software for quite some time, but have only messed with it a few times prior to this. The tutorial does an excellent job explaining the various tools and how to use them. Although, I ordered the version of CC3 that came with directions, the online tutorial by Joe Sheeny really makes everything a snap. Good instructors are priceless. Here are two versions of the same map that I used to practice the tutorial lessons with.
--Barack Obama
101 Best Websites for Writers
Check out this page for a lot of useful resources for writing, also includes previous years lists.
Deadline: Nov 1, 2009
Looking For:
Horror, too often, has been thought of as the non-thinking genre, home of the “monsters in the dark” with little to offer in terms of depth. Mo*Con defies that image of the genre. Its themes so far have covered spirituality, race, gender issues, art, and love. So what am I looking for? Smart, literate stories that fit in with any of the themes of Mo*Con. Stories with depth, that stretch the genre. Stories that make you think, that comment on the human condition and the social order. Stories that are rich in their language use. However, a s much as I love social commentary, don’t forget to entertain me.
[ Submission Guidelines ]
I know you do it. Hell, I do it. You just finish reading a book and you sit there stunned for a minute, the way a deer is stunned when the lights on your car hits it in the eyes. Then you marvel at how great the author is and go--" I want to write a book like that. "
Or it's the reverse. You fling the book against the wall as though you're pitching for the New York Mets and say--" I can write better than that! "
And those are only some of the self-torture techniques writers put themselves through. The problem is, they are often necessary.
( Read more... )
Word Count: Under 7,000
They are looking for:
Ideomancer publishes science fiction, fantasy, horror, slipstream, and flash fiction. We are open to any story with a speculative element-the supernatural, the unexplained, or the undiscovered. Stories without this element will not be considered. In other words, no matter how brilliant your serial-killer story is, it won't pass muster with us; we want that something extra that pushes a story beyond the bounds of reality. We also accept poetry — we're open to anything other than epic with a speculative element.
[ Submission Guidelines ]
From
Like all good authors and editors, I want to get the word out for my upcoming anthology GRANTS PASS. As such, I am having a contest to help this. If you spread the word about the GRANTS PASS anthology and its pre-order link between the dates of May 29, 2009 and June 6, 2009 and then link your post to THIS contest journal entry (http://jennifer-brozek.livejournal.c
The GRANTS PASS anthology is available for pre-order from Morrigan Books at http://www.morriganbooks.com/?page_id=1
Recently, I submitted an entry into the Editor's Unleashed/Smashmouth Flash Fiction Contest. The contest made me think about how shorter works of fiction can be used as practice for creating or improving longer fiction.
I realize that there are some writers who only write poetry, short stories, or novels. And there are some that write in whatever form the story demands. But whether for practice or with an intent to sell, shorter works have certain advantages when trying to learn craft, and each form brings its own lessons.
( Read more... )Each of these forms provides advantages that can make writing better in all the others. Practice in each to learn, grow, and improve as a writer.
* Short forms advantages ( general )
--do not take as long to write as a novel
--allow for completion of work and start of new project
--more projects equal more opportunity to change story elements ( voice, characters, plot, setting, tone/mood, etc )
--more projects equal more practice
*prompts
--use to write spontaneously
--use to overcome writer's block
--use to overcome the critic, the editor, or the doubter
*poetry
--use to maximize each word
--use to learn power of words
--use to improve imagery, emotion, tone, and mood
*flash
--use to understand the scene
--use to practice story elements on small scale
--use to practice story structure on small scale
*short story
--use to understand expanded story structure
--use as larger canvas for story elements
--use to connect scenes without loss of reader interest
